This practice-led research is interdisciplinary in its approach drawing from four different fields of knowledge: feminist textile theory, post-colonial identity theories, performance art and art history to develop a unique methodology that actively ruptures dominant knowledge practices. Through a focus on performative and embodied knowledge, the research constructs an expansive, interconnected framework that foregrounds diverse and underrepresented perspectives. This inquiry is grounded on concepts that leverage the political and emotional potential of textiles to ask why British South Asian women’s impact on shaping British culture is systematically ignored. The project strategically operates at the intersection of performance and fibre arts, establishing significant connections to diverse feminist movements and activist art practices. Situating textiles within their broader historical contexts, this study analyses their connections to the identities of South Asian women and the violent legacies of colonialism harnessing the discomfort that arises from this intricate relationship.

This research is deeply indebted to Audre Lorde whose major contributions to theories of difference, and the use of anger to fight oppression (Lorde 1981) are key and underpin much of the thinking behind this research. Alongside this, the research draws on post-colonial feminist scholarship to analyse the intersections of gender, race, and colonialism. The works of Sara Ahmed and Avtar Brah in particular, have had a profound impact on this study providing valuable insights that have shaped its focus and direction. By building on these scholars’ theories this practice-led research aims to continue the important work of feminist activism and scholarship, contributing to ongoing efforts to create a more equitable world and make a meaningful contribution to knowledge.