Trent Kim
Lumia as a Constructive Myth: Case Study on Thomas Wilfred's Lumia from the Interwar US

PhD

Summary

This project broadly questions how history informs practice from a maker's perspective and I have conducted a case study on an early new media art practice, Lumia where I sought the historical origin of my diverse light art practices. Lumia was a new art form emerged in the US during the interwar era, and was pioneered by Danish born American artist Thomas Wilfred (b.1889, d.1968). The primary objective of this research is to develop a methodology of making for historical practice-based arts research.

Additional info

My literature review suggests that discourses around Lumia are highly divisive and biased by individual groups of historians and practitioners and are often based on a superficial and partial observation which support a foregone conclusion due to the lack of synergy between writing and making. Therefore, my methodology focused on the notion of subversion to reveal Lumia's own history and incorporated mixed methods to find a positive balance between writing and making: discourse analysis, archival and material research, seminars, interviews, prototyping with alternative technology and cross-media collaborations. Through the case study on Lumia, I demonstrate ways of practicing Lumia through making and writing, and interpret Lumia as an art that animates and performs the void with light that distinguishes itself from other light art practices in audio-visual performance, theatre and projection art. Further, I analyse patterns of strategies that I have discovered through the research and propose 'Cycle of Mythmaking' in my conclusion as a methodology for historically informed practical making and practically informed historical writing to argue maker's contributions to historical research.

Opt.4 Magnetic Plastics (Trent Kim, 2020)

Cycle of Mythmaking - Methodology for Practically Informed Historical Writing and Historically Informed Practical Making