MRes student Max Livesey has had an article published on Drawing Matter, The Unperformed: Eisenstein's Set Design for Heartbreak House.
The text is one of the selected responses to the first category of the Open Call 2025: Visibility, and the Unseen—a series of short contributions that either bring to the surface the unseen drawings within the Drawing Matter Collection (I. In the Archive) or explore original architectural drawings, created by the author(s) of the contribution, which make visible the unseen (II. In Practice).
Max is an artist and a writer who works with sculpture, installation, video, sound, and fiction. He is currently studying the MRes at the Royal College of Art, where he is researching the history of leprosy in medieval England through site-specific sculpture.
